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1. #HARRISON MIXBUS REVIEWS SERIAL NUMBER#
2. #HARRISON MIXBUS REVIEWS MANUAL#
3. #HARRISON MIXBUS REVIEWS SOFTWARE#
4. #HARRISON MIXBUS REVIEWS PC#
5. #HARRISON MIXBUS REVIEWS PROFESSIONAL#

When they make great stuff and sell it at a great price, then it’s a double win. Note: I have no financial connection of any kind with Harrison… I just bought the program an like it a lot, and I like to support smaller US companies that make great products. But for now, I can recommend this program highly… buy it while you can, but keep it a secret! The MixBus website is here: I’m working on my own set of “MixBus Notes” that I’ll make available here if I can find the time to complete them. (This also prevents lifting your work, at least by 75% of the usual suspects.)

#HARRISON MIXBUS REVIEWS PC#

If you have zero experience with DAWs, this might be difficult at first.

#HARRISON MIXBUS REVIEWS SERIAL NUMBER#

I’ll email a PDF to any Mixbus owner who requests it… just send me an email with the program serial number to BGilbertSound at gmail dot com.)

#HARRISON MIXBUS REVIEWS MANUAL#

I wouldn’t call this a Mixbus manual quite yet, since I’m not an expert with the program and there are still some questions I have that this document doesn’t answer. I’ve also added Mixbus-specific sections. (UPDATE: I have re-formatted this manual for a printer-friendly version so you can work with a hardcopy while the program is running. There is a $20 video that is available, and this is a huge help, and Ardour has a free print user’s guide PDF that you can find here:

The documentation isn’t nearly as comprehensive as other DAWs, like Logic or ProTools. The Downside: … and this is a disavantage only f you’re a PC person… it’s Mac- or Linux-only. It’s yet another reason to buy a Macintosh, which may not be the best for everybody, especially those who have invested heavily in the latest PC hardware. But for now, not very many people have heard about it, and those that have seem to be keeping their cards close to their chest.)

#HARRISON MIXBUS REVIEWS SOFTWARE#

It’s based on the Ardour software framework, which is open-source as well, so this program should start appearing all over the place. (of course, there’s still a potential problem since MixBus is so affordable. By working in MixBus, there is a competitive advantage since you’re working in a program that everybody and his brother doesn’t already have. A well-kown and highly-skilled mixer was complaining about losing income to clients that pay for a single song to be mixed, then lift all his or her settings in ProTools and apply them to an entire album. The reason that I think MixBus is a “secret weapon” is from something I overheard at the AES conference. Learn more about them from Harrison’s wesite,) (there are, of course, piles of other features and capabilities to this program that I don’t have room to mention here. These features would usually require a plug-in on another DAW, and these programs usually cost more than the entire MixBus package. It looks a lot like an analog console, an a large monitor can be an advantage.Įach input channel has a Harrison EQ and compression, and tape saturation controls are available on busses. The interface has a definite analog look and feel, and it certainly sounds terrific.Ī screenshot of the Harrison MixBus DAW. As such, it has a great many of the same functions as other DAWs, but the interface and implementation of those functions is markedly different. What makes MixBus different is that it is designed from a console maker’s perspective, as opposed to a computer programmer’s point of view. Like most top-level console makers these days, they have branched into digital consoles, and MixBus is an extension of that experience. I’ve use one once, for a telethon, and it was a REALLY nice board.

Harrison is a small company in Nashville that makes very high-quality consoles for broadcast and studio use. I had trouble getting an early version of Audacity to run on my Mac, though that was awhile ago. While it is very good, Audacity isn’t a pro-level program, and Mixbus definitely is. But only if you own a Macintosh system, since it’s a Mac- or Linux-only application.

#HARRISON MIXBUS REVIEWS PROFESSIONAL#

It’s not something you’ll see full-page ads about in the magazines, and some folks might think of it as an audio professional’s “secret weapon.” But if you work with professional audio, you should definitely check it out.Īt $79, Harrison’s MixBus package is a heck of a good deal… even better than Audacity, which is free. I’ve recently started working with a new software package that I stumbled upon at the Nashville AES recording workshop.